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                  <text>Lithograph portraits of seated Maria Malibran (left) and Laure Cinti-Damoreau (right)</text>
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                  <text>Score for voice and piano for Malibran's "Au bord de la mer," followed by voice part and lyrics for the poem's second stanza</text>
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                  <text>Features dedication "à Mle. Baron PAUL PERIGNON"</text>
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                  <text>Sheet music cover for "Au bord de la mer" with Romantic image</text>
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                  <text>Featuring print of a figure waving to a ship from a cliff, and a list of other "New Romances" by Malibran (listed here as Madame Garcia de Beriot)</text>
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                <text>Opera</text>
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              <text>Lithograph portrait of Maria Malibran and Laure Cinti-Damoreau; Maria Malibran, "Au bord de la mer"</text>
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              <text>&lt;p&gt;French soprano Laure Cinti-Damoreau (1801-1863) and Spanish mezzo-soprano Maria Malibran (1808-1836),&amp;nbsp;two of opera’s most admired &lt;em&gt;bel canto&lt;/em&gt; singers of their day, appear here in a lithograph reproducing portraits by Friedrich Elias. &lt;br /&gt;&lt;br /&gt;Malibran wrote over 40 pieces of salon music, many published in multiple editions during her lifetime; this song, “Au bord de la mer,” sets a text by French Romantic poet Émile Deschamps, who later wrote the libretto for Hector Berlioz's opera &lt;em&gt;Romeo and Juliette&lt;/em&gt;. Dedicated to Baron Paul Pérignon, the song was first published in the 1820s, then reprinted as part of the posthumous series &lt;em&gt;Dernières pensées, album lyrique faisant suite aux Matinées musicales&lt;/em&gt;.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Geolocation:&amp;nbsp;&lt;/strong&gt;The King's Theatre in London, where Malibran made her operatic debut in Rossini's&amp;nbsp;&lt;/em&gt;The Barber of Seville &lt;em&gt;in 1825.&lt;/em&gt;&lt;/p&gt;</text>
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          <name>Creator</name>
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              <text>Malibran, Maria, 1808-1836</text>
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              <text>Friedrich Elias, 1813-1845</text>
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              <text>Émile Deschamps, 1791-1871</text>
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              <text>&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;&lt;a href="http://id.lib.harvard.edu/alma/990131515980203941/catalog"&gt;Me. Malibran Garcia. Mme. Damoreau Cinti. Lithograph by Wenzel Pobuda and J. Ress after drawings by Friedrich Elias (Munich, Germany : Pobuda, Rees et Cie, [ca. 1835]).&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://id.lib.harvard.edu/alma/990103042400203941/catalog"&gt;&lt;span style="text-decoration: underline;"&gt;Maria Malibran. “Au bord de la mer: romances nouvelles paroles d'Emile Deschamps; musique de Ma. Garcia de Beriot” (Paris: E. Troupenas &amp;amp; Cie., Rue Neuve Vivienne, 40, [1835?]).&lt;/span&gt; &lt;br /&gt;&lt;/a&gt;Merritt Room Mus 742.36.713&lt;/p&gt;</text>
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              <text>Score published c. 1835; lithograph created in 1835; acquired in 2007 (score) and 2012 (lithograph)</text>
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              <text>&lt;span style="text-decoration: underline;"&gt;&lt;a href="https://www.youtube.com/watch?v=RqxJtatNkJw"&gt;Malibran's "Rataplan," sung by Cecilia Bartoli on her album "Maria' (YouTube)&lt;/a&gt;&lt;/span&gt;</text>
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              <text>French</text>
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              <text>Opera &#13;
Sopranos&#13;
Salon music &#13;
Romanticism</text>
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              <text>Paris: E. Troupenas &amp; Cie., Rue Neuve Vivienne, 40&#13;
Munich, Germany : Pobuda, Rees et Cie</text>
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              <text>Lithograph and published score</text>
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