1 10 4 https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/f3bcf11ae979327dfb4f2c5ba8854053.jpg 32a59a51b8ea48b750218168087d49e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spread from voice and piano score for Ladies' Voices Description An account of the resource Libretto includes lines "Yes, I do not excuse myself," and "You like the word; You know very well that they all call it their house" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz and Musical Theater IIIF Collection Metadata UUID ce37caa1-299b-4ed4-b0c0-94196b0e24e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeanne Beauvais, annotated score for Vernon Martin's Ladies' Voices Description An account of the resource This copy of Vernon Martin's nine-minute Ladies’ Voices contains veteran Broadway and classical singer Jeanne Beauvais’ performance markings from the show's 1963 New York premiere by the After Dinner Opera Company. Geolocation: The site of the Pocket Theatre in New York, an Off-Broadway house where the After Dinner Opera Company performed. Source A related resource from which the described resource is derived <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00020_mus00020c00026">Vernon Martin. Ladies’ voices: a chamber opera. Text by Gertrude Stein. Dyeline vocal score (1955).</a> <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00020">Jeanne Beauvais Scores, correspondence and other materials, 1927-1988.</a> Ms. Coll. 127, Box 1, Folder 23 Date A point or period of time associated with an event in the lifecycle of the resource New York premiere in 1963; composed 1955; acquired in 2007 Relation A related resource <a href="https://www.youtube.com/watch?v=Ap8dlz6RP7Q">"The Woman Who Saved Carnegie Hall - Jeanne Beauvais," excerpts from a c. 1980s Beauvais recital filmed by downtown New York videographer Nelson Sullivan (YouTube)</a> Creator An entity primarily responsible for making the resource Beauvais, Jeanne, 1917-2007 Martin, Vernon Language A language of the resource English Subject The topic of the resource Musical theatre/opera Interpretation and style Off-Broadway Format The file format, physical medium, or dimensions of the resource Annotated copyist score IIIF Item Metadata UUID d300cca2-a0ce-4be6-ab5b-dcaea676797b 1960s 20th century opera vocal https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/42be04c3f0cd36a924c5e7c95d4bb87e.jpg f8f575d4f36452b3bb6ba72788c83379 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript score for four saxophones for "Stormy Weather" Description An account of the resource For 3 alto saxophones, notated on one staff, and 1 tenor Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz and Musical Theater IIIF Collection Metadata UUID ce37caa1-299b-4ed4-b0c0-94196b0e24e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Duke Ellington, arrangement of Harold Arlen and Ted Koehler's "Stormy Weather" Description An account of the resource This score for "Stormy Weather," in Ellington’s hand, notates the saxophone section accompaniment to the soloists' melody line. This arrangement, one of at least half a dozen he would devise over three decades, appears in his first recording of the song in 1933. Geolocation: The Cotton Club in Harlem, where Ellington and Ethel Waters made "Stormy Weather" the main attraction of the 22nd Cotton Club Parade revue. Source A related resource from which the described resource is derived <a href="http://id.lib.harvard.edu/alma/990114299230203941/catalog">Harold Arlen and Ted Koehler. “Stormy Weather.” Holograph of Duke Ellington arrangement.</a> Merritt Room Mus 662.524.41 Date A point or period of time associated with an event in the lifecycle of the resource Written (and first recorded by Ellington) in 1933; acquired in 2008 Relation A related resource <a href="https://www.youtube.com/watch?v=2NDSVpNLVbk">"1933 HITS ARCHIVE: Stormy Weather - Duke Ellington (instrumental)" (YouTube)</a> <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00006">The Duke Ellington Recording Collection at Harvard</a>, which contains three different entries of "Stormy Weather" recordings Creator An entity primarily responsible for making the resource Ellington, Duke, 1899-1974 Arlen, Harold, 1905-1986 Subject The topic of the resource Jazz Big band music Musical revues Arranging Format The file format, physical medium, or dimensions of the resource Holograph score IIIF Item Metadata UUID 3da0f883-3972-4788-b9b0-381acdd9cb74 1930s 20th century arranging instrumental jazz popular music https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/3c94488a358fac3016072838f038d88d.jpg dd1e69425681468d13ccdaf4a586f60a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two photocopies of Carter's manuscript leadsheet for "Myra" Description An account of the resource Features lyrics, melody, and annotations of harmonies https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/e7d624248807c14d04df37c0b1d13e9b.jpg ba94d70311db9105321bd4ec4ddce92e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource First page of published piano score "Myra", with Carter's handwritten inscription to Myra Mayman Description An account of the resource Score contains harmonic annotations and lyrics; inscriptions reads: "To Myra Mayman, for whom this song was written. With admiration and gratitude. Benny Carter" https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/35a36e2a4904f7f621e0e2c3816a9bcf.m4a 9b52fc524e3cd79e48920af7dc1031f6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz and Musical Theater IIIF Collection Metadata UUID ce37caa1-299b-4ed4-b0c0-94196b0e24e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Benny Carter, "Myra" Description An account of the resource The Harvard Jazz Band commissioned this piece from saxophonist Benny Carter in honor of Myra Mayman, director of Harvard’s Office for the Arts from 1973-2001. Carter faxed his handwritten lead sheets to the band before its first performance, to be supplemented by a lead sheet arranged by Allen Feinstein, piano arrangement by Gene Di Novi, and 6-part vocal arrangement by Rob Opdycke. This performance by Sarah Lazarus and the Harvard Jazz Band was included in the concert "Mood Crimson: 30 Years of Jazz at Harvard," which took place on April 6, 2002 in Sanders Theatre and continued a long-running concert series pairing major professional figures in jazz with Harvard undergraduates. This rendition includes solos by Lazarus and tenor saxophonists Don Braden and Anton Schwartz, culminating in a special "Happy Birthday" coda.  Geolocation: Sanders Theatre at Harvard University. Creator An entity primarily responsible for making the resource Carter, Benny, 1907-2003 Publisher An entity responsible for making the resource available Bee Cee Music Co. (score) Office of the Arts at Harvard University (CD) Date A point or period of time associated with an event in the lifecycle of the resource Composed in 2001; acquired in 2011 Contributor An entity responsible for making contributions to the resource Feinstein, Allen Di Novi, Gene Opdycke, Rob Source A related resource from which the described resource is derived <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00035_mus00035c00013">Benny Carter. “Myra,” revised lead sheet and vocal score (2001).</a> <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00035">The Tom Everett Collection of Jazz Scores, 1971-2011.</a> Ms. Coll. 135, Box 1 <a href="http://id.lib.harvard.edu/alma/990092677580203941/catalog">"Mood Crimson: 30 Years of Jazz at Harvard" (Cambridge, Mass.: Office of the Arts, Harvard University, 2002).</a> Lamont Library Media CD CDISC LFP 2002cd D Language A language of the resource English Subject The topic of the resource Jazz Arts at Harvard Arranging Format The file format, physical medium, or dimensions of the resource Handwritten leadsheet; published piano arrangement; digitized CD recording IIIF Item Metadata UUID 0b88f5df-c6bd-4b20-a21c-374705c8df78 21st century arranging jazz vocal https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/b99c78c3c5041e77fc0e522c5407d56d.jpg a3491c16f0dc2e757fa793a7510bf868 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cover of typewritten Dialogue Cutting Continuity by editor Blanche Sewell Description An account of the resource Features date, publishing information, etc., and blurb explaining that "use of this continuity is restricted" https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/1e8209a739656df84976e78faab56df1.jpg 3d10c7155c9d98e6ac5c0c276e5907a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Page of typewritten screenplay with dialogue and stage directions and handwritten edits to both Description An account of the resource Includes dialogue edits like "See you later." replaced by "And don't wait up for me either! (slams door angrily)," as well as a description of the establishing shot for a scene in the "Pow Wow Club" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz and Musical Theater IIIF Collection Metadata UUID ce37caa1-299b-4ed4-b0c0-94196b0e24e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Broadway Melody of 1940, draft screenplay and dialogue cutting continuity Subject The topic of the resource Film musicals Dance Comedy Screenwriting Hollywood Musical theatre and jazz Description An account of the resource Shown here are documents from the beginning and end of production of the MGM musical Broadway Melody of 1940: a draft screenplay with revisions throughout, dated May 18, 1939, and film editor Blanche Sewell’s copy of the dialogue cutting continuity script dated February 3, 1940, only a week before the film’s February 9 release. Geolocation: The former MGM studios in Culver City, California where Broadway Melody of 1940 was filmed. Creator An entity primarily responsible for making the resource Leon Gordon, 1894-1960 George Oppenheimer, 1900-1977 Source A related resource from which the described resource is derived <a href="http://id.lib.harvard.edu/alma/990119988440203941/catalog">Broadway melody of 1940: draft screenplay by Leon Gordon & George Oppenheimer, from the original story by Jack McGowan & Dore Schary (Culver City: Loew's Inc., 1939).</a> Merritt Room PN1997.B752 1939 <a href="http://id.lib.harvard.edu/alma/990095504070203941/catalog">Broadway melody of 1940: Dialogue cutting continuity (Culver City: Loew's Inc., 1940).</a> Merritt Room PN1997.B752 1940 Publisher An entity responsible for making the resource available Loew's Inc. (Culver City) Date A point or period of time associated with an event in the lifecycle of the resource Film released in 1940; acquired in 2005 (continuity) and 2009 (screenplay) Contributor An entity responsible for making contributions to the resource Blanche Sewell (film editor) Metro Goldwyn-Mayer (producer) Jack Cummings (producer) Jack McGowan and Dore Schary (original story) Relation A related resource <a href="https://www.youtube.com/watch?v=lNEiwKUPXkg">"Clip HD | Broadway Melody of 1940 | Warner Archive," a scene from Broadway Melody of 1940 (YouTube)</a> Language A language of the resource English Format The file format, physical medium, or dimensions of the resource Draft screenplay and dialogue cutting continuity IIIF Item Metadata UUID f8b75903-dd5e-4c72-a871-562b494b3522 1940s 20th century dance jazz