1 10 4 https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/0426398f78d857beeb5decc32a77cba3.png 8a5f764b1b05d3a08906368622ca5031 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Blades's backstage pass for the 31st Annual Grammy Awards (1989) Description An account of the resource Pass reads "All Access" and "A Pierre Cossette Production"; a gold star sticker is affixed to the front https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/36b3c89ffedc8a5b3a4168827518861e.jpg 93bac3069e025c1f8bd807d6aed8eded Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Album poster for Ruben Blades and Son de Solar's Antecedente (1989) Description An account of the resource Features a portrait of Blades with arms crossed https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/123215d8783cddda5dc373dafca198ee.png 9c9bd40810c84ef044d63574c9b53560 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Typewritten lyrics for "Nacer de tí," in Spanish and English, with handwritten edits to English translation Description An account of the resource Lyrics read:  "Vengo del mar y la angostura, del cruce del camino y de la tarde. Vengo de las huellas y pisadas, de gaviotas viajando a contra-luz. Vengo del tiempo tuyo y del tiempo mío, de los que llegaron, del que no se fue. Mis amores se agrietaron y mis sueños sucumbieron en la estela de los barcos. Soy de los puertos terminales, soy de negros cabotajes e incontable multitud. Coro 1: Vengo del mar y la angostura, del cruce del camino y la tarde. Fui rebelión, cimarronaje, campanario de frágiles ciudades. Ruta, viento y polvareda: fui la fiebre y el oro que pasó. Coro 2: Nacer de tí, ser la tierra y el que se queda. Nacer de tí. Born from you I come from the ocean and the straits, from the crossroads of highway and afternoon. I come behind human footprints and the steps of seagulls traveling counter-light. I come from your time and mine, From that of those who arrived, and those who never left. My loves cracked and my dreams succumbed in the wake of ships. I'm from the Terminal ports, from the dark ocean depths, from the impossible to count multitude. Chorus 1: I come from the ocean and the straits, from the crossroads of highways and afternoons. I was a rebellion, a slaves uprising, a tower bell of fragile cities. I was the fever and the gold that [crossed out: came and left] passed on. Chorus 2: To be born of you, to be the land and those who stay. To be born of you." https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/8dc3f07b6e9c3dae1e8fbfc9305285e7.png d93f5fb811a2b28a5c6881f7fa479142 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Handwritten soneos for "Nacer de tí" Description An account of the resource On memo paper for New York's Hotel Dorset, lyrics read: "1) Vengo, vengo, vengo desde el magico Caribe donde la esperanza vive y el amor es estandarte. 2) Soy viento, ron y palmera Soy esquina, luna y mar Soy un tambor repicando en tiempo de Carnaval. 3) Soy el abrazo que espera a quien quiera regresar, soy la mano saludando al que acaba de llegar. ____ Ser el camino del que regresa = nińo chiquito, beso de abuela quiero ser, ay quiero ser, ay quiero ser la esperanza del que [???] espera ____ Ser la estrellitade mi bandera Fiel a mi Patria hasta que muera" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Popular/ Populist Musics IIIF Collection Metadata UUID 7f5945b3-d966-4c6f-9c7c-b108ca33928f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rubén Blades, Antecedente and the 1989 Grammy Awards Description An account of the resource While the original version of this exhibition exclusively featured memorabilia from Rubén Blades's appearance at the 1989 Grammy Awards, such as the backstage pass included here, the online version also incorporates materials related to the album (Antecedente) for which Blades won a Grammy that year, like the poster for the record. Also shown here are a lightly annotated copy of the official lyrics for the track "Nacer de tí" ("Born from you"), addressed to Panama itself, and a handwritten list of possible lyrics to draw from for the traditionally improvised soneos in the song's chorus sections. Variants of these soneos made their way into the final album, first sung by Blades at 1:23 on the studio recording. The third, unused couplet reads: "I am the embrace that waits for those who long to return, I am the hand greeting he who just arrived." Geolocation: Plaza Herrera in the San Felipe neighborhood of Panama City, where Blades grew up. Creator An entity primarily responsible for making the resource Blades, Rubén, 1948- Source A related resource from which the described resource is derived <a href="https://library.harvard.edu/collections/ruben-blades-archives">The Rubén Blades Archives at Harvard University</a> AWM SC Spec Coll 100 Date A point or period of time associated with an event in the lifecycle of the resource Antecedente released 1988; Grammy Awards in 1989; acquired in 2008 Subject The topic of the resource Salsa Dance music National heritage Awards Relation A related resource <a href="https://www.youtube.com/watch?v=m3yxqETnH8k">"Nacer De Tí", from Blades's 1988 album Antecedente (YouTube)</a> <a href="http://www.maestravida.com/">MaestraVida.com, a website dedicated to Blades' life and work created by Alison Weinstock</a> Language A language of the resource Spanish Format The file format, physical medium, or dimensions of the resource Memorabilia (backstage pass); promotional poster; printed lyrics; and manuscript lyrics Publisher An entity responsible for making the resource available Elektra Records IIIF Item Metadata UUID ebdfd767-5108-49e8-b2b5-ded407082b2e 1980s 20th century dance Grammy-winning poetry politics popular music vocal https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/65f519c75a627d6b2158c2499b7e0a23.jpg 305b4fc4b03cc7e972cc57fb249e091c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 78-rpm disc for In Praise of Learning  Description An account of the resource Label features the album and studio information, as well as a drawing of factory workers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Popular/ Populist Musics IIIF Collection Metadata UUID 7f5945b3-d966-4c6f-9c7c-b108ca33928f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hanns Eisler and Bertolt Brecht, "In Praise of Learning" Description An account of the resource "In Praise of Learning" is one of three rare 78s of leftist songs recorded around the time of Hanns Eisler’s first visit to the United States in early 1935. With texts by Bertolt Brecht, the record featured the New Singers conducted by Lan Adomian, baritones Mordecai Bauman and Felix Groveman, and alternately Marc Blitzstein and Eisler himself at the piano. The full set includes the songs “United Front,” “The Soup Song,” “The Internationale,” “We’ve Not Forgotten,” “In Praise of Learning,” and “Rise Up.”  Geolocation: The Capitol Building in Washington, D.C., where Eisler was interrogated by the House Un-American Activies Committee on the basis of songs like "In Praise of Learning." Creator An entity primarily responsible for making the resource Eisler, Hanns, 1898-1962 Brecht, Bertolt, 1898-1956 Source A related resource from which the described resource is derived <a href="http://id.lib.harvard.edu/alma/990139024320203941/catalog">Hanns Eisler. In Praise of Learning; Rise Up. Text by Berthold Brecht (N.Y.C.: Timely Recording Co., [1936?]).</a> Record Collection 78-36634 Date A point or period of time associated with an event in the lifecycle of the resource Recorded c. 1935; catalogued in 2014 Language A language of the resource English Subject The topic of the resource Leftist politics Labor songs Musical theatre collaborators Publisher An entity responsible for making the resource available Timely Records Contributor An entity responsible for making contributions to the resource New Singers Lan Adomian, 1905-1979 Mordecai Bauman, 1912-2007 Felix Groveman, 1912-1991 Marc Blitzstein, 1905-1964 Relation A related resource <a href="https://archive.org/details/78_in-praise-of-learning_mordecai-bauman-marc-blitzstein-hanns-eisler-brecht-lan-adomi_gbia0190373a/IN+PRAISE+OF+LEARNING+-+MORDECAI+BAUMAN+-+MARC+BLITZSTEIN.flac">Full track of "In Praise of Learning" (archive.org)</a> Format The file format, physical medium, or dimensions of the resource Vinyl record IIIF Item Metadata UUID ce6163a6-654e-4f3f-a432-da7d275c9f14 1930s 20th century politics vocal https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/e7e12f708602ff5be861ef7c8203ccd5.jpg c75008ffdb794fc2b65b0d6e68e81237 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fabric backstage pass for Mission of Burma at the Paradise Theatre Subject The topic of the resource Features date, act, signature, and address https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/d01ef801af5d88b2393578a8ae2bac43.jpg 0647b00e98b60e3f51b206b6450f8dfe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cassette label for recording of Young Snakes and Art Yard https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/5155eeea1c9675d4e7c32bf4f07b8568.jpg 94dc3acc4c7d75f233171a83a756993a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cassette label for Someone and the Somebodies and Young Snakes with set list Description An account of the resource Set list includes the songs Taiwan, No Words, Edge of Time, Heart, Working in a Coalmine, Dada, Bells, Neuvo (?), X+2, Terror, Auto 66 https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/b03311301ea59a02ad98299843f3d03a.jpg 6da707559858d58f610a9af3aa3f1a7a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cassette label for Lizzie Borden and the Axes, and card for the venue Jumpin' Jack Flash Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Popular/ Populist Musics IIIF Collection Metadata UUID 7f5945b3-d966-4c6f-9c7c-b108ca33928f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boston punk/rock cassette tapes, recorded by Arthur Freedman Description An account of the resource In the late 1970s, Arthur Freedman (b. 1957) began to record in the clubs of Boston, Cambridge, and Somerville. The resulting collection comprises over 720 hours of local rock and punk music performances, some with accompanying material such as set lists, tickets, and technical or performance notes, and many otherwise unrecorded. Shown here are cassettes from four of the gigs he attended: <ul> <li>Influential post-punk band Mission of Burma, recorded July 25, 1982 at The Paradise (C 37523, with backstage pass)</li> <li>New wave band The Young Snakes, featuring Aimee Mann, recorded April 11, 1981 with Art Yard at The Underground (C 37409) and June 8, 1981 with Someone & the Somebodies at Spit Rumble Semi (C 37407, with set list)</li> <li>All-women punk group Lizzie Borden & the Axes, recorded September 6, 1985 at Jumpin’ Jack Flash (C 37357)</li> </ul> Geolocation: Jumpin' Jack Flash, a club at which Freedman recorded in the Fenway neighborhood of Boston. Source A related resource from which the described resource is derived <a href="https://harvardfilmarchive.org/collections/arthur-freedman-collection">Arthur Freedman Collection</a> Date A point or period of time associated with an event in the lifecycle of the resource Recorded 1981-1985; acquired in 2011 Relation A related resource <a href="https://mps.lib.harvard.edu/sds/audio/438821342">A digitized live recording from the Freedman collection (a 1981 set at The Paradise by punk/new wave group People in Stores)</a> <a href="https://www.youtube.com/watch?v=e16diikS4Zk">"Young Snakes (Aimee Mann) Me & the Girls - 1981 Demo," including footage of Boston punk scene memorabilia (YouTube)</a> Creator An entity primarily responsible for making the resource Freedman, Arthur, 1957- Language A language of the resource English Subject The topic of the resource Punk Counterculture Live performance Format The file format, physical medium, or dimensions of the resource Cassette tapes and backstage pass IIIF Item Metadata UUID 2b398e4d-7de4-4716-9a53-a19fd3af5b1a 1980s 20th century ethnography popular music vocal https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/08829fc1289b99497b7a0237cd5d3db8.jpeg 5b7d7fd13a0165a8e26a14d883eede1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Album cover for The Miseducation of Lauryn Hill Description An account of the resource Cover features Hill's face carved into a school desk https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/73df63ddb3dfdfa4c18d130caa57c1b6.jpeg ebeba630cf400e91e2d491caecc9cb20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vinyl record (side two) for The Miseducation of Lauryn Hill Description An account of the resource Featuring the songs "Superstar," "Final Hour," "When It Hurts So Bad," and "I Used to Love Him" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Popular/ Populist Musics IIIF Collection Metadata UUID 7f5945b3-d966-4c6f-9c7c-b108ca33928f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lauryn Hill, The Miseducation of Lauryn Hill Description An account of the resource This vinyl record of Lauryn Hill's legendary 1998 album The Miseducation of Lauryn Hill is part of Classic Crates, a collaboration between the Hiphop Archive and Research Institute (HARI) and the Loeb Music Library assembling 200 albums based on their importance to the hip-hop community (alongside the original records used in their samples). Geolocation: Bob Marley's Tuff Gong Studios in Kingston, Jamaica, where Hill recorded most of The Miseducation of Lauryn Hill after beginning production in and around New York.  Creator An entity primarily responsible for making the resource Hill, Lauryn, 1975- Source A related resource from which the described resource is derived Lauryn Hill. The Miseducation of Lauryn Hill (New York: Ruff House/Columbia, 1998) (Originally part of Harvard's <a href="https://sites.harvard.edu/hiphoparchive/classic-crates/">Classic Crates</a> Collection) Date A point or period of time associated with an event in the lifecycle of the resource Released in 1998; acquired in 2016 Subject The topic of the resource Rap, Hip-hop, R&B, Soul, Reggae Sampling Love, spirituality, honesty, Black womanhood Concept album Publisher An entity responsible for making the resource available Ruffhouse Records, Columbia Records Relation A related resource <a href="https://www.youtube.com/watch?v=i3_dOWYHS7I">Music video for "Everything is Everything," from The Miseducation of Lauryn Hill (YouTube)</a> <a href="https://genius.com/Dionne-bennett-liner-notes-lauryn-hill-the-miseducation-of-lauryn-hill-1998-annotated">Dionne Bennett's essay on The Miseducation of Lauryn Hill, originally written for Classic Crates.</a> Language A language of the resource English Format The file format, physical medium, or dimensions of the resource Vinyl record IIIF Item Metadata UUID 92fa2a68-b71d-4836-89b1-f0901055308b 1990s 20th century Grammy-winning poetry popular music vocal