1 10 20 https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/c114c60215b0aa0c456a4fe552c366c6.jpg 73d8b82a245a89bc5deed6f456aa853c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Page from inner cover of Symphonie fantastique score with handwritten list of 19 circumstances of usage Description An account of the resource List begins with "München 1948-1949" and ends with "Salzburg Pfingsten Chicago; June 1992 recording" https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/9371e476c4a58cdf3b13473783451a09.jpg 5952f63335251ed70ee851eda8312351 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Final page of third movement in score for Symphonie fantastique with heavy annotations Description An account of the resource Extensive markings indicate tempo, accents, measure-counting, dynamics, and performance style in gray and red pencil https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/3ce2d4c9e57ae1e5c915ee2bd2dd9e53.jpg c200d2162c6c562c7849d2d557c99021 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource First page of fourth movement in score for Symphonie fantastique with heavy annotations Description An account of the resource Movement titled "Gang zum Hochgericht"/"Marche au Supplice"/"The Procession to the Stake," with extensive markings regarding dates of performance, tempo, accents, measure-counting, dynamics, and performance style in gray and red pencil Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Classical Music IIIF Collection Metadata UUID c8f97ebe-7788-47c3-9c0e-97e67f91929f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georg Solti, annotated score for Hector Berlioz's Symphonie fantastique Date A point or period of time associated with an event in the lifecycle of the resource Composed in 1830; published in 1900; used in performances from 1959-1992; acquired in 2011 Description An account of the resource This annotated copy of Berlioz's Symphonie fantastique was owned by Sir Georg Solti, and chronicles 19 groups of performances dating from 1959-1992. Shown here are the inside cover of the score, listing the dates and orchestra for each of the 19 performance sets, including tours and recordings; the closing page of the third movement, "In the country" (see YouTube video); and the opening of the fourth movement, "March to the scaffold." Geolocation: Chicago's Symphony Center, the home of the Chicago Symphony Orchestra. Solti was the orchestra's Music Director from 1969-1991, and used this score for five different sets of performances with them. Relation A related resource <a href="https://library.harvard.edu/sites/default/files/static/onlineexhibits/solti/">Music, First and Last: Scores from the Sir Georg Solti Archive (Music Library Digital Exhibition)</a> <a href="https://www.youtube.com/watch?v=wiiNgff2sHE&t=840s">"Berlioz: Symphonie fantastique, Op. 14, H 48 - 3. Scène aux champs (Adagio)," recorded by Solti and the Chicago Symphony Orchestra in 1972 (YouTube)</a> Source A related resource from which the described resource is derived <a href="http://id.lib.harvard.edu/alma/990017879000203941/catalog">Hector Berlioz. Symphonie fantastique: op. 14 (Leipzig: Breitkopf & Härtel, c1900).</a> Sir Georg Solti Archive. Merritt Room Mus 628.3.64 Solti Creator An entity primarily responsible for making the resource Solti, Georg, 1912-1997 Berlioz, Hector, 1803-1869 Subject The topic of the resource Symphonies Romanticism Instrumental music Conductors Music notation Interpretation and style Living document Publisher An entity responsible for making the resource available Breitkopf & Härtel (Leipzig, Germany) Format The file format, physical medium, or dimensions of the resource Annotated published score IIIF Item Metadata UUID 95858fd4-f725-42c9-9a35-80375a4c221d 1970s 20th century classical Grammy-winning instrumental https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/355c6b0d438ab76debdaf960af65cf3f.jpg 630faf176c3367b39ded7750d48c2216 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Index cards with Russian script cataloging the recording Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scholarship and Traditional Musics IIIF Collection Metadata UUID 6ab20e38-51d5-4d4e-8237-1988cba1bedb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Niurba ohuokaia," recorded by Eduard Alekseyev Description An account of the resource This recording of songs from the Yakut round dance was made by ethnomusicologist Eduard Alekseyev in the village of Maar in the Niurba district on June 23, 1977, during a celebration commemorating the 10th anniversary of Markhinskiy sovkhoz (collective). Geolocation: The Niurba district of Yakutia. <iframe src="https://harvardmusiclib.aviaryplatform.com/embed/media/159709 " allow="fullscreen" frameborder="0"></iframe> Source A related resource from which the described resource is derived “Niurba ohuokhaia” The Eduard Alekseyev Fieldwork Collection of the Musical Culture of Yakutia, 1969-2009. AWM RL 16267 Date A point or period of time associated with an event in the lifecycle of the resource Recorded in 1977; acquired in 2008 Relation A related resource <a href="https://library.harvard.edu/exhibits/tree-life">"Tree of Life: Cosmography and Environment in Yakutian Epic" (2019 Music Library Exhibition)</a> <a href="https://web.archive.org/web/20240706015815/https://www.eduard.alekseyev.org/">Alekseyev's Website</a> Creator An entity primarily responsible for making the resource Alekseyev, Eduard, 1937-2021 Language A language of the resource Russian Subject The topic of the resource Dance music Folk music Ethnomusicology Ritual Sakha/Yakutia Format The file format, physical medium, or dimensions of the resource Cassette labels and digitized recording IIIF Item Metadata UUID c852121d-ebe0-4c70-9647-c03865b0594d 1970s 20th century dance ethnography scholarship vocal https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/f3bcf11ae979327dfb4f2c5ba8854053.jpg 32a59a51b8ea48b750218168087d49e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spread from voice and piano score for Ladies' Voices Description An account of the resource Libretto includes lines "Yes, I do not excuse myself," and "You like the word; You know very well that they all call it their house" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz and Musical Theater IIIF Collection Metadata UUID ce37caa1-299b-4ed4-b0c0-94196b0e24e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeanne Beauvais, annotated score for Vernon Martin's Ladies' Voices Description An account of the resource This copy of Vernon Martin's nine-minute Ladies’ Voices contains veteran Broadway and classical singer Jeanne Beauvais’ performance markings from the show's 1963 New York premiere by the After Dinner Opera Company. Geolocation: The site of the Pocket Theatre in New York, an Off-Broadway house where the After Dinner Opera Company performed. Source A related resource from which the described resource is derived <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00020_mus00020c00026">Vernon Martin. Ladies’ voices: a chamber opera. Text by Gertrude Stein. Dyeline vocal score (1955).</a> <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00020">Jeanne Beauvais Scores, correspondence and other materials, 1927-1988.</a> Ms. Coll. 127, Box 1, Folder 23 Date A point or period of time associated with an event in the lifecycle of the resource New York premiere in 1963; composed 1955; acquired in 2007 Relation A related resource <a href="https://www.youtube.com/watch?v=Ap8dlz6RP7Q">"The Woman Who Saved Carnegie Hall - Jeanne Beauvais," excerpts from a c. 1980s Beauvais recital filmed by downtown New York videographer Nelson Sullivan (YouTube)</a> Creator An entity primarily responsible for making the resource Beauvais, Jeanne, 1917-2007 Martin, Vernon Language A language of the resource English Subject The topic of the resource Musical theatre/opera Interpretation and style Off-Broadway Format The file format, physical medium, or dimensions of the resource Annotated copyist score IIIF Item Metadata UUID d300cca2-a0ce-4be6-ab5b-dcaea676797b 1960s 20th century opera vocal https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/4827073ffe50c9ccef29cfc9946b3a51.jpg 2b58fadcf6a7239ac6213c1f4b5d8ece Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spread of Thayer's book with printed melodies from Beethoven's 23 Songs of Various Nationalities (right) and Adler's annotations (left) Description An account of the resource Lists tunes as "Schottisch," "Dänisch," "Spanisch," "Portugiesisch," and "Russisch"; annotations include repeated phrase "Auf in Berlin" and a re-transcription of the three Russian melodies Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scholarship and Traditional Musics IIIF Collection Metadata UUID 6ab20e38-51d5-4d4e-8237-1988cba1bedb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guido Adler, annotated copy of Alexander Wheelock Thayer's Chronological Catalog of the Works of Ludwig von Beethoven Description An account of the resource Jewish scholar, writer, critic, pedagogue, and editor Guido Adler’s library was a working collection: like this interleaved copy of Thayer’s Beethoven thematic catalog, many of the books and offprints are heavily annotated and corrected, and illustrate Adler’s place at the heart of the new discipline of historical musicology. This particular image shows Adler's annotation of themes from Beethoven's 23 Songs of Various Nationalities, including his re-transcription of the three Russian tunes. Geolocation: Adler's residence in Vienna. Source A related resource from which the described resource is derived Alexander Wheelock Thayer. Chronologisches Verzeichniss der Werke Ludwig van Beethoven’s (Berlin: Ferdinand Schneider, Matthäi Kirchstrasse 24, 1865). <a href="http://id.lib.harvard.edu/alma/990142711940203941/catalog" rel="noreferrer">Guido Adler Collection</a> Merritt Room ML134.B4 T4 1865 Date A point or period of time associated with an event in the lifecycle of the resource Thayer's book published in 1865; Adler's death in 1941; acquired in 2015 Relation A related resource <a href="https://www.thecrimson.com/article/2017/9/25/music-department-celebration/">Guido Adler's Library (2017 Music Library Exhibition)</a> <a href="https://www.youtube.com/watch?v=1E_artcc_x0">"Beethoven: 23 Songs of Various Nationalities, WoO 158a - 13. Vo lesocke komarockov mnogo urodilos',"performed by soprano Janice Watson (YouTube)</a> Language A language of the resource German Subject The topic of the resource Musicology Thematic catalogs Music libraries Creator An entity primarily responsible for making the resource Adler, Guido, 1855-1941 Thayer, Alexander Wheelock, 1817-1897 Publisher An entity responsible for making the resource available Ferdinand Schneider (Berlin) Format The file format, physical medium, or dimensions of the resource Annotated published book IIIF Item Metadata UUID 50d34cb9-e8c5-47a5-a0c3-35b0db1684b7 19th century classical scholarship https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/e7e12f708602ff5be861ef7c8203ccd5.jpg c75008ffdb794fc2b65b0d6e68e81237 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fabric backstage pass for Mission of Burma at the Paradise Theatre Subject The topic of the resource Features date, act, signature, and address https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/d01ef801af5d88b2393578a8ae2bac43.jpg 0647b00e98b60e3f51b206b6450f8dfe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cassette label for recording of Young Snakes and Art Yard https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/5155eeea1c9675d4e7c32bf4f07b8568.jpg 94dc3acc4c7d75f233171a83a756993a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cassette label for Someone and the Somebodies and Young Snakes with set list Description An account of the resource Set list includes the songs Taiwan, No Words, Edge of Time, Heart, Working in a Coalmine, Dada, Bells, Neuvo (?), X+2, Terror, Auto 66 https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/b03311301ea59a02ad98299843f3d03a.jpg 6da707559858d58f610a9af3aa3f1a7a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cassette label for Lizzie Borden and the Axes, and card for the venue Jumpin' Jack Flash Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Popular/ Populist Musics IIIF Collection Metadata UUID 7f5945b3-d966-4c6f-9c7c-b108ca33928f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boston punk/rock cassette tapes, recorded by Arthur Freedman Description An account of the resource In the late 1970s, Arthur Freedman (b. 1957) began to record in the clubs of Boston, Cambridge, and Somerville. The resulting collection comprises over 720 hours of local rock and punk music performances, some with accompanying material such as set lists, tickets, and technical or performance notes, and many otherwise unrecorded. Shown here are cassettes from four of the gigs he attended: <ul> <li>Influential post-punk band Mission of Burma, recorded July 25, 1982 at The Paradise (C 37523, with backstage pass)</li> <li>New wave band The Young Snakes, featuring Aimee Mann, recorded April 11, 1981 with Art Yard at The Underground (C 37409) and June 8, 1981 with Someone & the Somebodies at Spit Rumble Semi (C 37407, with set list)</li> <li>All-women punk group Lizzie Borden & the Axes, recorded September 6, 1985 at Jumpin’ Jack Flash (C 37357)</li> </ul> Geolocation: Jumpin' Jack Flash, a club at which Freedman recorded in the Fenway neighborhood of Boston. Source A related resource from which the described resource is derived <a href="https://harvardfilmarchive.org/collections/arthur-freedman-collection">Arthur Freedman Collection</a> Date A point or period of time associated with an event in the lifecycle of the resource Recorded 1981-1985; acquired in 2011 Relation A related resource <a href="https://mps.lib.harvard.edu/sds/audio/438821342">A digitized live recording from the Freedman collection (a 1981 set at The Paradise by punk/new wave group People in Stores)</a> <a href="https://www.youtube.com/watch?v=e16diikS4Zk">"Young Snakes (Aimee Mann) Me & the Girls - 1981 Demo," including footage of Boston punk scene memorabilia (YouTube)</a> Creator An entity primarily responsible for making the resource Freedman, Arthur, 1957- Language A language of the resource English Subject The topic of the resource Punk Counterculture Live performance Format The file format, physical medium, or dimensions of the resource Cassette tapes and backstage pass IIIF Item Metadata UUID 2b398e4d-7de4-4716-9a53-a19fd3af5b1a 1980s 20th century ethnography popular music vocal https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/e29e4f1e1f2d47b291060b353c0b5ea2.jpg be05c8cfba71974ebf55d9e5c296a320 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spread from full score for the number "Black Revolutionary Love is Forever!" from Warrior Sisters Description An account of the resource Includes parts for the characters Assata and Sundiata, as well as alto, tenor, and baritone saxophones, piano, bass, conga, and drums https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/993b01eef9b51dd260897c3f042f527d.jpg abb78b24ed780429d1c6dbc76a3a7d20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poster for Warrior Sisters with photos of characters  Description An account of the resource Shows characters Fa Mu Lan, Nana Yaa Asantewa, Sieh King King, and Assata Shakur in a pyramid-like arrangement Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Opera IIIF Collection Metadata UUID b1dea24b-9fed-4d6e-ac70-1f048b1a7003 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fred Ho, Warrior Sisters: The New Adventures of African and Asian Womyn Warriors Description An account of the resource Chinese-American composer, baritone saxophonist, activist, and Marxist Fred Ho's avant-garde jazz opera Warrior Sisters (1998), written with librettist Ann Greene, imagines a time-and-space bending rescue mission by three feminist revolutionaries—Fa Mu Lan, Nana Yaa Asantewa, and Sieh King King—who arrive in the 1970s to rescue the jailed Black Liberation Army leader Assata Shakur. Shown here is an excerpt from "Black Revolutionary Love," from Act 2, Scene 2 (a duet between Shakur and fellow BLA member Sundiata Acoli), accompanied by a publicity photograph taken by Rainer Fehringer. Geolocation: Ho's longtime apartment in Brooklyn, New York. Source A related resource from which the described resource is derived <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00031_mus00031c00010">Fred Ho. Warrior Sisters: The New Adventures of African and Asian Womyn Warriors.</a> <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00031">Fred Ho manuscript scores, performance programs, and other material: 1991-2011.</a> Ms. Coll. 142 Date A point or period of time associated with an event in the lifecycle of the resource Premiered in 1998; acquired in 2012 Relation A related resource <a href="https://vimeo.com/618139736">"Excerpts from Fred Ho, 'Warrior Sisters' at The Kitchen, 2000" (Vimeo)</a> <a href="http://archive.thekitchen.org/?p=23745.">More materials related to the Kitchen's 2000 performance of Warrior Sisters</a> <a href="https://www.youtube.com/watch?v=HVx53TQAwFk">"Act II, Scene 2: Black Revolutionary Love is Forever," from the 1999 recording of Warrior Sisters (YouTube)</a> Creator An entity primarily responsible for making the resource Ho, Fred, 1957-2014 Language A language of the resource English Subject The topic of the resource Jazz Operas Leftist politics Revolution Surrealism Feminism Intersectionality Contributor An entity responsible for making contributions to the resource Greene, Ann Format The file format, physical medium, or dimensions of the resource Holograph score; photo; playbill IIIF Item Metadata UUID 3dcdbf6c-c8b7-404c-a7bb-380471625506 1990s 20th century jazz opera politics popular music vocal https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/b5a6641d6c5818a16998aea01bfb89d2.jpeg 9fd3ab2c0c3adca1c38bb41f6305f0f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Title spread for La poétique de la musique Description An account of the resource Includes information on the series, title reading "Bibliotheque Universelle des Dames. La Poétique de la Musique. Par M. le Comte de la Cepède. Tome Premier," and publishing information https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/03e4dafd64d0f35bef8f2e300b055026.jpeg 9eb4851fb8dbbd674aa320203e5b0324 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spread from La poetique de la musique on the subject of recitative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Opera IIIF Collection Metadata UUID b1dea24b-9fed-4d6e-ac70-1f048b1a7003 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource M. le comte de la Cépède, La poétique de la musique Description An account of the resource La poétique de la musique, a 700-plus page treatise on aesthetics by French naturalist and amateur composer Bernard Germain de la Cépède, was first published in 1785. This abridged edition was published in 1787 in the Bibliotheque Universelle des Dames, a subscription series intended to provide well-to-do women with a general education appropriate to their gender and role in society; la Cépède’s treatise is the only work on the arts in the 156-volume set. Geolocation: The publishing house in Paris where the abridged version of La poétique de la musique was produced. Source A related resource from which the described resource is derived <a href="http://id.lib.harvard.edu/alma/990127323490203941/catalog">M. le comte de la Cépède (Bernard Germain Etienne de La Ville sur Illon). La poétique de la musique (A Paris: Rue Hôtel Serpente, 1787).</a> Merritt Room ML3845.L3 1787 Date A point or period of time associated with an event in the lifecycle of the resource Published in 1787; acquired in 2011 Language A language of the resource French Creator An entity primarily responsible for making the resource la Cépède, Bernard Germain de, 1756-1825 Publisher An entity responsible for making the resource available Rue Hôtel Serpente (Paris, France) Subject The topic of the resource Aesthetics and emotional expression Poetry Opera Women's education Format The file format, physical medium, or dimensions of the resource Published treatise IIIF Item Metadata UUID 9eb1691d-8b0d-4e3d-b4af-a8879348f310 18th century classical opera poetry https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/2dfe424a0dd7f2a257be22aad3162d2f.jpg 553eef5b5f46b3c5ddd66a56c46316fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Score for Gending Alexander in kepathian notation for gamelan  Description An account of the resource Pitches indicated by numbers; instrumentation indicated by letters and circles Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Classical Music IIIF Collection Metadata UUID c8f97ebe-7788-47c3-9c0e-97e67f91929f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lou Harrison, Gending Alexander Description An account of the resource American composer Lou Harrison's Gending Alexander, a work for Javanese gamelan ensemble, was first performed April 22-24, 1981 at the University of Delaware. Below is the score for the piece, written in kepathian notion - though traditionally, gamelan compositions are passed down orally. Geolocation: The Indonesian island of Java, the gamelan tradition of which greatly inspired Harrison and his work (as did the related tradition of the nearby island of Bali). Source A related resource from which the described resource is derived <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00028_mus00028c00027">Lou Harrison. Gending Alexander = Pel.. Barang.</a> <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00028">Music manuscripts, sketches, poetry, and drawings, 1945-1991.</a> Ms. Coll. 132. Relation A related resource "<a href="https://www.youtube.com/watch?v=23V33u4Y9fE">Gending Alexander," performed by Gamelan Si Betty on a 1992 recording (YouTube)</a> Date A point or period of time associated with an event in the lifecycle of the resource Premiered in 1981; acquired in 2010 Subject The topic of the resource Gamelan Percussion Musical notation Creator An entity primarily responsible for making the resource Harrison, Lou, 1917-2003 Format The file format, physical medium, or dimensions of the resource Holograph score IIIF Item Metadata UUID f0b72d8e-d1b9-4941-a99b-0147504d375c 1980s 20th century classical instrumental https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/b255edcc199efafb5fcb30958dfb6b3a.jpg b36fd797e8031fd94ec9b0327d721195 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spread of manuscript score for Cortège  Description An account of the resource Score's orchestration features flute, harp, celesta, triangle, violin solo, first violins, second violins, "altos" (violas), cellos, and basses Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Classical Music IIIF Collection Metadata UUID c8f97ebe-7788-47c3-9c0e-97e67f91929f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lili Boulanger, Cortège, arranged by Nadia Boulanger Description An account of the resource This manuscript of Lili Boulanger's 1914 violin-piano duet Cortège is an arrangement by her sister Nadia for solo violin and chamber orchestra. The full score is in Nadia’s hand; the parts are partly autograph, and partly in a copyist’s hand. While there is no solo violin part, markings in the score indicate it may have been used by the soloist. Geolocation: The Boulangers' family home in Paris, where Nadia lived her whole life. Source A related resource from which the described resource is derived <a href="http://id.lib.harvard.edu/alma/990138715240203941/catalog">Lili Boulanger. Cortège. Arranged by Nadia Boulanger. (19--).</a> Merritt Room Mus 631.856.200 Date A point or period of time associated with an event in the lifecycle of the resource Cortège composed in 1914; toured in different arrangement by U.S. by Nadia Boulanger in 1925; acquired in 2014 Relation A related resource <a href="https://www.youtube.com/watch?v=AA8joDGutNQ">"Yolanda Bruno (Violin) and Isabelle David (Piano) - Lili Boulanger: Cortège," the violin-piano version of the piece (YouTube)</a> Harvard Music Library collections related to Nadia Boulanger: <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00018">scores by Boulanger's students</a>; <a href="https://hollisarchives.lib.harvard.edu/catalog/hou00357">various American music scores collected by Boulanger</a>; and <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00003">Boulanger's letters to the Chanler and Pickman families</a> <div><a href="https://www.thecrimson.com/article/1962/4/21/to-organize-time-a-sketch-of/">A 1962 profile on Nadia Boulanger in the Harvard Crimson</a></div> Subject The topic of the resource Romanticism Arranging Violin music Creator An entity primarily responsible for making the resource Boulanger, Nadia, 1887-1979 Boulanger, Lili, 1893-1918 Format The file format, physical medium, or dimensions of the resource Autograph full score (plus individual instruments' parts partly in autograph, partly in a copyist's hand) IIIF Item Metadata UUID af572132-aa6d-4fdd-91dc-a958c8f95dee 1910s 20th century arranging classical instrumental https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/42be04c3f0cd36a924c5e7c95d4bb87e.jpg f8f575d4f36452b3bb6ba72788c83379 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuscript score for four saxophones for "Stormy Weather" Description An account of the resource For 3 alto saxophones, notated on one staff, and 1 tenor Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz and Musical Theater IIIF Collection Metadata UUID ce37caa1-299b-4ed4-b0c0-94196b0e24e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Duke Ellington, arrangement of Harold Arlen and Ted Koehler's "Stormy Weather" Description An account of the resource This score for "Stormy Weather," in Ellington’s hand, notates the saxophone section accompaniment to the soloists' melody line. This arrangement, one of at least half a dozen he would devise over three decades, appears in his first recording of the song in 1933. Geolocation: The Cotton Club in Harlem, where Ellington and Ethel Waters made "Stormy Weather" the main attraction of the 22nd Cotton Club Parade revue. Source A related resource from which the described resource is derived <a href="http://id.lib.harvard.edu/alma/990114299230203941/catalog">Harold Arlen and Ted Koehler. “Stormy Weather.” Holograph of Duke Ellington arrangement.</a> Merritt Room Mus 662.524.41 Date A point or period of time associated with an event in the lifecycle of the resource Written (and first recorded by Ellington) in 1933; acquired in 2008 Relation A related resource <a href="https://www.youtube.com/watch?v=2NDSVpNLVbk">"1933 HITS ARCHIVE: Stormy Weather - Duke Ellington (instrumental)" (YouTube)</a> <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00006">The Duke Ellington Recording Collection at Harvard</a>, which contains three different entries of "Stormy Weather" recordings Creator An entity primarily responsible for making the resource Ellington, Duke, 1899-1974 Arlen, Harold, 1905-1986 Subject The topic of the resource Jazz Big band music Musical revues Arranging Format The file format, physical medium, or dimensions of the resource Holograph score IIIF Item Metadata UUID 3da0f883-3972-4788-b9b0-381acdd9cb74 1930s 20th century arranging instrumental jazz popular music