1 10 20 https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/e99b29f6701954757e436e0d22b73f95.jpg fc6854f88947f45e09f8568ca811bd09 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Blum's cassette tape label with handwritten track list (Tape 116) Description An account of the resource Label reads "116 - EQTESADI, HASSAN ZADEH, NAZARI"; lists 21 tracks with headings for these three singers (two of which are marked, "recorded at my house"); titles include "Parvaneh," "Kacheck nāz maka yāllā," and "Xoji loureh" https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/5e18d50799c9bcdd89de9adaa10c1da1.jpg c2f8fd94e96748d2c9c26dbaad78662f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Blum's cassette tape label with handwritten track list (Tape 117) Description An account of the resource Handwritten list of 8 tracks sung by Mahmud Ghaffāriān at Blum's house Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scholarship and Traditional Musics IIIF Collection Metadata UUID 6ab20e38-51d5-4d4e-8237-1988cba1bedb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stephen Blum, recordings from Iranian Khorāsān Description An account of the resource Pictured are labels for a cassette featuring recordings of four men performing songs and improvised poetry, made at Stephen Blum’s house in Mashhad, Iran (in the northern province of Khorāsān) in January of 1969. This song, young tailor Mahmud Gaffāriān's "Vakilābād," shares its name with a major prison in Mashhad (a theme also found in another song from his session, "Shabi be gusheh-e zendān"): <iframe src="https://harvardmusiclib.aviaryplatform.com/embed/media/159838 " allow="fullscreen" frameborder="0"></iframe> <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00025_mus00025c00404">Hear the recordings of Ebrāhim Eqtesādi, Mohsen Hasanzāde, and Hossein Nazari here.</a>  <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00025_mus00025c00428">Hear more recordings of Mahmud Gaffāriān here.</a> (Click on a link under "contents" until reaching the page for a particular recording, then click on the link under "digital content" to access the audio file.) Geolocation: Mashhad, Iran. Source A related resource from which the described resource is derived <a href="https://library.harvard.edu/collections/stephen-blum-collection-music-iranian-khorasan">The Stephen Blum Collection of Music from Iranian Khorāsān at Harvard University: original ethnographic sound recordings, 1968-2006.</a> AWM RL 16201-16202 Date A point or period of time associated with an event in the lifecycle of the resource Recorded in 1969; acquired in 2006 Creator An entity primarily responsible for making the resource Blum, Stephen, 1942- Subject The topic of the resource Folk music Urban music Sung poetry Ethnomusicology Musical and linguistic exchange Contributor An entity responsible for making contributions to the resource Ebrāhim Eqtesādi Mohsen Hasanzāde Hossein Nazari Mahmoud Gaffarian Language A language of the resource Farsi Format The file format, physical medium, or dimensions of the resource Cassette label and digitized sound recording IIIF Item Metadata UUID 692dc2b7-7bb8-43ba-ac51-d6fd0f121561 1960s 20th century ethnography poetry scholarship vocal https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/0426398f78d857beeb5decc32a77cba3.png 8a5f764b1b05d3a08906368622ca5031 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photo of Blades's backstage pass for the 31st Annual Grammy Awards (1989) Description An account of the resource Pass reads "All Access" and "A Pierre Cossette Production"; a gold star sticker is affixed to the front https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/36b3c89ffedc8a5b3a4168827518861e.jpg 93bac3069e025c1f8bd807d6aed8eded Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Album poster for Ruben Blades and Son de Solar's Antecedente (1989) Description An account of the resource Features a portrait of Blades with arms crossed https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/123215d8783cddda5dc373dafca198ee.png 9c9bd40810c84ef044d63574c9b53560 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Typewritten lyrics for "Nacer de tí," in Spanish and English, with handwritten edits to English translation Description An account of the resource Lyrics read:  "Vengo del mar y la angostura, del cruce del camino y de la tarde. Vengo de las huellas y pisadas, de gaviotas viajando a contra-luz. Vengo del tiempo tuyo y del tiempo mío, de los que llegaron, del que no se fue. Mis amores se agrietaron y mis sueños sucumbieron en la estela de los barcos. Soy de los puertos terminales, soy de negros cabotajes e incontable multitud. Coro 1: Vengo del mar y la angostura, del cruce del camino y la tarde. Fui rebelión, cimarronaje, campanario de frágiles ciudades. Ruta, viento y polvareda: fui la fiebre y el oro que pasó. Coro 2: Nacer de tí, ser la tierra y el que se queda. Nacer de tí. Born from you I come from the ocean and the straits, from the crossroads of highway and afternoon. I come behind human footprints and the steps of seagulls traveling counter-light. I come from your time and mine, From that of those who arrived, and those who never left. My loves cracked and my dreams succumbed in the wake of ships. I'm from the Terminal ports, from the dark ocean depths, from the impossible to count multitude. Chorus 1: I come from the ocean and the straits, from the crossroads of highways and afternoons. I was a rebellion, a slaves uprising, a tower bell of fragile cities. I was the fever and the gold that [crossed out: came and left] passed on. Chorus 2: To be born of you, to be the land and those who stay. To be born of you." https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/8dc3f07b6e9c3dae1e8fbfc9305285e7.png d93f5fb811a2b28a5c6881f7fa479142 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Handwritten soneos for "Nacer de tí" Description An account of the resource On memo paper for New York's Hotel Dorset, lyrics read: "1) Vengo, vengo, vengo desde el magico Caribe donde la esperanza vive y el amor es estandarte. 2) Soy viento, ron y palmera Soy esquina, luna y mar Soy un tambor repicando en tiempo de Carnaval. 3) Soy el abrazo que espera a quien quiera regresar, soy la mano saludando al que acaba de llegar. ____ Ser el camino del que regresa = nińo chiquito, beso de abuela quiero ser, ay quiero ser, ay quiero ser la esperanza del que [???] espera ____ Ser la estrellitade mi bandera Fiel a mi Patria hasta que muera" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Popular/ Populist Musics IIIF Collection Metadata UUID 7f5945b3-d966-4c6f-9c7c-b108ca33928f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rubén Blades, Antecedente and the 1989 Grammy Awards Description An account of the resource While the original version of this exhibition exclusively featured memorabilia from Rubén Blades's appearance at the 1989 Grammy Awards, such as the backstage pass included here, the online version also incorporates materials related to the album (Antecedente) for which Blades won a Grammy that year, like the poster for the record. Also shown here are a lightly annotated copy of the official lyrics for the track "Nacer de tí" ("Born from you"), addressed to Panama itself, and a handwritten list of possible lyrics to draw from for the traditionally improvised soneos in the song's chorus sections. Variants of these soneos made their way into the final album, first sung by Blades at 1:23 on the studio recording. The third, unused couplet reads: "I am the embrace that waits for those who long to return, I am the hand greeting he who just arrived." Geolocation: Plaza Herrera in the San Felipe neighborhood of Panama City, where Blades grew up. Creator An entity primarily responsible for making the resource Blades, Rubén, 1948- Source A related resource from which the described resource is derived <a href="https://library.harvard.edu/collections/ruben-blades-archives">The Rubén Blades Archives at Harvard University</a> AWM SC Spec Coll 100 Date A point or period of time associated with an event in the lifecycle of the resource Antecedente released 1988; Grammy Awards in 1989; acquired in 2008 Subject The topic of the resource Salsa Dance music National heritage Awards Relation A related resource <a href="https://www.youtube.com/watch?v=m3yxqETnH8k">"Nacer De Tí", from Blades's 1988 album Antecedente (YouTube)</a> <a href="http://www.maestravida.com/">MaestraVida.com, a website dedicated to Blades' life and work created by Alison Weinstock</a> Language A language of the resource Spanish Format The file format, physical medium, or dimensions of the resource Memorabilia (backstage pass); promotional poster; printed lyrics; and manuscript lyrics Publisher An entity responsible for making the resource available Elektra Records IIIF Item Metadata UUID ebdfd767-5108-49e8-b2b5-ded407082b2e 1980s 20th century dance Grammy-winning poetry politics popular music vocal https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/b5a6641d6c5818a16998aea01bfb89d2.jpeg 9fd3ab2c0c3adca1c38bb41f6305f0f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Title spread for La poétique de la musique Description An account of the resource Includes information on the series, title reading "Bibliotheque Universelle des Dames. La Poétique de la Musique. Par M. le Comte de la Cepède. Tome Premier," and publishing information https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/03e4dafd64d0f35bef8f2e300b055026.jpeg 9eb4851fb8dbbd674aa320203e5b0324 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spread from La poetique de la musique on the subject of recitative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Opera IIIF Collection Metadata UUID b1dea24b-9fed-4d6e-ac70-1f048b1a7003 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource M. le comte de la Cépède, La poétique de la musique Description An account of the resource La poétique de la musique, a 700-plus page treatise on aesthetics by French naturalist and amateur composer Bernard Germain de la Cépède, was first published in 1785. This abridged edition was published in 1787 in the Bibliotheque Universelle des Dames, a subscription series intended to provide well-to-do women with a general education appropriate to their gender and role in society; la Cépède’s treatise is the only work on the arts in the 156-volume set. Geolocation: The publishing house in Paris where the abridged version of La poétique de la musique was produced. Source A related resource from which the described resource is derived <a href="http://id.lib.harvard.edu/alma/990127323490203941/catalog">M. le comte de la Cépède (Bernard Germain Etienne de La Ville sur Illon). La poétique de la musique (A Paris: Rue Hôtel Serpente, 1787).</a> Merritt Room ML3845.L3 1787 Date A point or period of time associated with an event in the lifecycle of the resource Published in 1787; acquired in 2011 Language A language of the resource French Creator An entity primarily responsible for making the resource la Cépède, Bernard Germain de, 1756-1825 Publisher An entity responsible for making the resource available Rue Hôtel Serpente (Paris, France) Subject The topic of the resource Aesthetics and emotional expression Poetry Opera Women's education Format The file format, physical medium, or dimensions of the resource Published treatise IIIF Item Metadata UUID 9eb1691d-8b0d-4e3d-b4af-a8879348f310 18th century classical opera poetry https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/2dfe424a0dd7f2a257be22aad3162d2f.jpg 553eef5b5f46b3c5ddd66a56c46316fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Score for Gending Alexander in kepathian notation for gamelan  Description An account of the resource Pitches indicated by numbers; instrumentation indicated by letters and circles Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Classical Music IIIF Collection Metadata UUID c8f97ebe-7788-47c3-9c0e-97e67f91929f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lou Harrison, Gending Alexander Description An account of the resource American composer Lou Harrison's Gending Alexander, a work for Javanese gamelan ensemble, was first performed April 22-24, 1981 at the University of Delaware. Below is the score for the piece, written in kepathian notion - though traditionally, gamelan compositions are passed down orally. Geolocation: The Indonesian island of Java, the gamelan tradition of which greatly inspired Harrison and his work (as did the related tradition of the nearby island of Bali). Source A related resource from which the described resource is derived <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00028_mus00028c00027">Lou Harrison. Gending Alexander = Pel.. Barang.</a> <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00028">Music manuscripts, sketches, poetry, and drawings, 1945-1991.</a> Ms. Coll. 132. Relation A related resource "<a href="https://www.youtube.com/watch?v=23V33u4Y9fE">Gending Alexander," performed by Gamelan Si Betty on a 1992 recording (YouTube)</a> Date A point or period of time associated with an event in the lifecycle of the resource Premiered in 1981; acquired in 2010 Subject The topic of the resource Gamelan Percussion Musical notation Creator An entity primarily responsible for making the resource Harrison, Lou, 1917-2003 Format The file format, physical medium, or dimensions of the resource Holograph score IIIF Item Metadata UUID f0b72d8e-d1b9-4941-a99b-0147504d375c 1980s 20th century classical instrumental https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/161959e2ffcbcf33d904c8972e61fc1a.jpg 241f8256a6c97ea0ec9c54635df1a845 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lithograph portraits of seated Maria Malibran (left) and Laure Cinti-Damoreau (right) https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/31e5a3eed3fca78e70873d57eabf9f04.jpg 0e80e5779a281c33cda64c30cfcb4ec9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Score for voice and piano for Malibran's "Au bord de la mer," followed by voice part and lyrics for the poem's second stanza Description An account of the resource Features dedication "à Mle. Baron PAUL PERIGNON" https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/4e59460e2202a629e1b7bfd636e3afbf.jpg 456cbdb123c2d6be8db8a94a7e7a909c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sheet music cover for "Au bord de la mer" with Romantic image Description An account of the resource Featuring print of a figure waving to a ship from a cliff, and a list of other "New Romances" by Malibran (listed here as Madame Garcia de Beriot) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Opera IIIF Collection Metadata UUID b1dea24b-9fed-4d6e-ac70-1f048b1a7003 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lithograph portrait of Maria Malibran and Laure Cinti-Damoreau; Maria Malibran, "Au bord de la mer" Description An account of the resource French soprano Laure Cinti-Damoreau (1801-1863) and Spanish mezzo-soprano Maria Malibran (1808-1836), two of opera’s most admired bel canto singers of their day, appear here in a lithograph reproducing portraits by Friedrich Elias. Malibran wrote over 40 pieces of salon music, many published in multiple editions during her lifetime; this song, “Au bord de la mer,” sets a text by French Romantic poet Émile Deschamps, who later wrote the libretto for Hector Berlioz's opera Romeo and Juliette. Dedicated to Baron Paul Pérignon, the song was first published in the 1820s, then reprinted as part of the posthumous series Dernières pensées, album lyrique faisant suite aux Matinées musicales.  Geolocation: The King's Theatre in London, where Malibran made her operatic debut in Rossini's The Barber of Seville in 1825. Creator An entity primarily responsible for making the resource Malibran, Maria, 1808-1836 Friedrich Elias, 1813-1845 Émile Deschamps, 1791-1871 Source A related resource from which the described resource is derived <a href="http://id.lib.harvard.edu/alma/990131515980203941/catalog">Me. Malibran Garcia. Mme. Damoreau Cinti. Lithograph by Wenzel Pobuda and J. Ress after drawings by Friedrich Elias (Munich, Germany : Pobuda, Rees et Cie, [ca. 1835]).</a> <a href="http://id.lib.harvard.edu/alma/990103042400203941/catalog">Maria Malibran. “Au bord de la mer: romances nouvelles paroles d'Emile Deschamps; musique de Ma. Garcia de Beriot” (Paris: E. Troupenas & Cie., Rue Neuve Vivienne, 40, [1835?]). </a>Merritt Room Mus 742.36.713 Date A point or period of time associated with an event in the lifecycle of the resource Score published c. 1835; lithograph created in 1835; acquired in 2007 (score) and 2012 (lithograph) Relation A related resource <a href="https://www.youtube.com/watch?v=RqxJtatNkJw">Malibran's "Rataplan," sung by Cecilia Bartoli on her album "Maria' (YouTube)</a> Language A language of the resource French Subject The topic of the resource Opera Sopranos Salon music Romanticism Publisher An entity responsible for making the resource available Paris: E. Troupenas & Cie., Rue Neuve Vivienne, 40 Munich, Germany : Pobuda, Rees et Cie Format The file format, physical medium, or dimensions of the resource Lithograph and published score IIIF Item Metadata UUID 36f63118-e67a-4bb9-afa5-f8e2f12d8cb6 19th century classical opera poetry vocal https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/b255edcc199efafb5fcb30958dfb6b3a.jpg b36fd797e8031fd94ec9b0327d721195 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spread of manuscript score for Cortège  Description An account of the resource Score's orchestration features flute, harp, celesta, triangle, violin solo, first violins, second violins, "altos" (violas), cellos, and basses Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Classical Music IIIF Collection Metadata UUID c8f97ebe-7788-47c3-9c0e-97e67f91929f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lili Boulanger, Cortège, arranged by Nadia Boulanger Description An account of the resource This manuscript of Lili Boulanger's 1914 violin-piano duet Cortège is an arrangement by her sister Nadia for solo violin and chamber orchestra. The full score is in Nadia’s hand; the parts are partly autograph, and partly in a copyist’s hand. While there is no solo violin part, markings in the score indicate it may have been used by the soloist. Geolocation: The Boulangers' family home in Paris, where Nadia lived her whole life. Source A related resource from which the described resource is derived <a href="http://id.lib.harvard.edu/alma/990138715240203941/catalog">Lili Boulanger. Cortège. Arranged by Nadia Boulanger. (19--).</a> Merritt Room Mus 631.856.200 Date A point or period of time associated with an event in the lifecycle of the resource Cortège composed in 1914; toured in different arrangement by U.S. by Nadia Boulanger in 1925; acquired in 2014 Relation A related resource <a href="https://www.youtube.com/watch?v=AA8joDGutNQ">"Yolanda Bruno (Violin) and Isabelle David (Piano) - Lili Boulanger: Cortège," the violin-piano version of the piece (YouTube)</a> Harvard Music Library collections related to Nadia Boulanger: <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00018">scores by Boulanger's students</a>; <a href="https://hollisarchives.lib.harvard.edu/catalog/hou00357">various American music scores collected by Boulanger</a>; and <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00003">Boulanger's letters to the Chanler and Pickman families</a> <div><a href="https://www.thecrimson.com/article/1962/4/21/to-organize-time-a-sketch-of/">A 1962 profile on Nadia Boulanger in the Harvard Crimson</a></div> Subject The topic of the resource Romanticism Arranging Violin music Creator An entity primarily responsible for making the resource Boulanger, Nadia, 1887-1979 Boulanger, Lili, 1893-1918 Format The file format, physical medium, or dimensions of the resource Autograph full score (plus individual instruments' parts partly in autograph, partly in a copyist's hand) IIIF Item Metadata UUID af572132-aa6d-4fdd-91dc-a958c8f95dee 1910s 20th century arranging classical instrumental https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/08829fc1289b99497b7a0237cd5d3db8.jpeg 5b7d7fd13a0165a8e26a14d883eede1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Album cover for The Miseducation of Lauryn Hill Description An account of the resource Cover features Hill's face carved into a school desk https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/73df63ddb3dfdfa4c18d130caa57c1b6.jpeg ebeba630cf400e91e2d491caecc9cb20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vinyl record (side two) for The Miseducation of Lauryn Hill Description An account of the resource Featuring the songs "Superstar," "Final Hour," "When It Hurts So Bad," and "I Used to Love Him" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Popular/ Populist Musics IIIF Collection Metadata UUID 7f5945b3-d966-4c6f-9c7c-b108ca33928f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lauryn Hill, The Miseducation of Lauryn Hill Description An account of the resource This vinyl record of Lauryn Hill's legendary 1998 album The Miseducation of Lauryn Hill is part of Classic Crates, a collaboration between the Hiphop Archive and Research Institute (HARI) and the Loeb Music Library assembling 200 albums based on their importance to the hip-hop community (alongside the original records used in their samples). Geolocation: Bob Marley's Tuff Gong Studios in Kingston, Jamaica, where Hill recorded most of The Miseducation of Lauryn Hill after beginning production in and around New York.  Creator An entity primarily responsible for making the resource Hill, Lauryn, 1975- Source A related resource from which the described resource is derived Lauryn Hill. The Miseducation of Lauryn Hill (New York: Ruff House/Columbia, 1998) (Originally part of Harvard's <a href="https://sites.harvard.edu/hiphoparchive/classic-crates/">Classic Crates</a> Collection) Date A point or period of time associated with an event in the lifecycle of the resource Released in 1998; acquired in 2016 Subject The topic of the resource Rap, Hip-hop, R&B, Soul, Reggae Sampling Love, spirituality, honesty, Black womanhood Concept album Publisher An entity responsible for making the resource available Ruffhouse Records, Columbia Records Relation A related resource <a href="https://www.youtube.com/watch?v=i3_dOWYHS7I">Music video for "Everything is Everything," from The Miseducation of Lauryn Hill (YouTube)</a> <a href="https://genius.com/Dionne-bennett-liner-notes-lauryn-hill-the-miseducation-of-lauryn-hill-1998-annotated">Dionne Bennett's essay on The Miseducation of Lauryn Hill, originally written for Classic Crates.</a> Language A language of the resource English Format The file format, physical medium, or dimensions of the resource Vinyl record IIIF Item Metadata UUID 92fa2a68-b71d-4836-89b1-f0901055308b 1990s 20th century Grammy-winning poetry popular music vocal https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/f3bcf11ae979327dfb4f2c5ba8854053.jpg 32a59a51b8ea48b750218168087d49e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spread from voice and piano score for Ladies' Voices Description An account of the resource Libretto includes lines "Yes, I do not excuse myself," and "You like the word; You know very well that they all call it their house" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz and Musical Theater IIIF Collection Metadata UUID ce37caa1-299b-4ed4-b0c0-94196b0e24e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeanne Beauvais, annotated score for Vernon Martin's Ladies' Voices Description An account of the resource This copy of Vernon Martin's nine-minute Ladies’ Voices contains veteran Broadway and classical singer Jeanne Beauvais’ performance markings from the show's 1963 New York premiere by the After Dinner Opera Company. Geolocation: The site of the Pocket Theatre in New York, an Off-Broadway house where the After Dinner Opera Company performed. Source A related resource from which the described resource is derived <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00020_mus00020c00026">Vernon Martin. Ladies’ voices: a chamber opera. Text by Gertrude Stein. Dyeline vocal score (1955).</a> <a href="https://hollisarchives.lib.harvard.edu/catalog/mus00020">Jeanne Beauvais Scores, correspondence and other materials, 1927-1988.</a> Ms. Coll. 127, Box 1, Folder 23 Date A point or period of time associated with an event in the lifecycle of the resource New York premiere in 1963; composed 1955; acquired in 2007 Relation A related resource <a href="https://www.youtube.com/watch?v=Ap8dlz6RP7Q">"The Woman Who Saved Carnegie Hall - Jeanne Beauvais," excerpts from a c. 1980s Beauvais recital filmed by downtown New York videographer Nelson Sullivan (YouTube)</a> Creator An entity primarily responsible for making the resource Beauvais, Jeanne, 1917-2007 Martin, Vernon Language A language of the resource English Subject The topic of the resource Musical theatre/opera Interpretation and style Off-Broadway Format The file format, physical medium, or dimensions of the resource Annotated copyist score IIIF Item Metadata UUID d300cca2-a0ce-4be6-ab5b-dcaea676797b 1960s 20th century opera vocal https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/65f519c75a627d6b2158c2499b7e0a23.jpg 305b4fc4b03cc7e972cc57fb249e091c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 78-rpm disc for In Praise of Learning  Description An account of the resource Label features the album and studio information, as well as a drawing of factory workers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Popular/ Populist Musics IIIF Collection Metadata UUID 7f5945b3-d966-4c6f-9c7c-b108ca33928f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hanns Eisler and Bertolt Brecht, "In Praise of Learning" Description An account of the resource "In Praise of Learning" is one of three rare 78s of leftist songs recorded around the time of Hanns Eisler’s first visit to the United States in early 1935. With texts by Bertolt Brecht, the record featured the New Singers conducted by Lan Adomian, baritones Mordecai Bauman and Felix Groveman, and alternately Marc Blitzstein and Eisler himself at the piano. The full set includes the songs “United Front,” “The Soup Song,” “The Internationale,” “We’ve Not Forgotten,” “In Praise of Learning,” and “Rise Up.”  Geolocation: The Capitol Building in Washington, D.C., where Eisler was interrogated by the House Un-American Activies Committee on the basis of songs like "In Praise of Learning." Creator An entity primarily responsible for making the resource Eisler, Hanns, 1898-1962 Brecht, Bertolt, 1898-1956 Source A related resource from which the described resource is derived <a href="http://id.lib.harvard.edu/alma/990139024320203941/catalog">Hanns Eisler. In Praise of Learning; Rise Up. Text by Berthold Brecht (N.Y.C.: Timely Recording Co., [1936?]).</a> Record Collection 78-36634 Date A point or period of time associated with an event in the lifecycle of the resource Recorded c. 1935; catalogued in 2014 Language A language of the resource English Subject The topic of the resource Leftist politics Labor songs Musical theatre collaborators Publisher An entity responsible for making the resource available Timely Records Contributor An entity responsible for making contributions to the resource New Singers Lan Adomian, 1905-1979 Mordecai Bauman, 1912-2007 Felix Groveman, 1912-1991 Marc Blitzstein, 1905-1964 Relation A related resource <a href="https://archive.org/details/78_in-praise-of-learning_mordecai-bauman-marc-blitzstein-hanns-eisler-brecht-lan-adomi_gbia0190373a/IN+PRAISE+OF+LEARNING+-+MORDECAI+BAUMAN+-+MARC+BLITZSTEIN.flac">Full track of "In Praise of Learning" (archive.org)</a> Format The file format, physical medium, or dimensions of the resource Vinyl record IIIF Item Metadata UUID ce6163a6-654e-4f3f-a432-da7d275c9f14 1930s 20th century politics vocal https://treasures.harvardmusiclib.share.library.harvard.edu/files/original/4827073ffe50c9ccef29cfc9946b3a51.jpg 2b58fadcf6a7239ac6213c1f4b5d8ece Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spread of Thayer's book with printed melodies from Beethoven's 23 Songs of Various Nationalities (right) and Adler's annotations (left) Description An account of the resource Lists tunes as "Schottisch," "Dänisch," "Spanisch," "Portugiesisch," and "Russisch"; annotations include repeated phrase "Auf in Berlin" and a re-transcription of the three Russian melodies Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scholarship and Traditional Musics IIIF Collection Metadata UUID 6ab20e38-51d5-4d4e-8237-1988cba1bedb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guido Adler, annotated copy of Alexander Wheelock Thayer's Chronological Catalog of the Works of Ludwig von Beethoven Description An account of the resource Jewish scholar, writer, critic, pedagogue, and editor Guido Adler’s library was a working collection: like this interleaved copy of Thayer’s Beethoven thematic catalog, many of the books and offprints are heavily annotated and corrected, and illustrate Adler’s place at the heart of the new discipline of historical musicology. This particular image shows Adler's annotation of themes from Beethoven's 23 Songs of Various Nationalities, including his re-transcription of the three Russian tunes. Geolocation: Adler's residence in Vienna. Source A related resource from which the described resource is derived Alexander Wheelock Thayer. Chronologisches Verzeichniss der Werke Ludwig van Beethoven’s (Berlin: Ferdinand Schneider, Matthäi Kirchstrasse 24, 1865). <a href="http://id.lib.harvard.edu/alma/990142711940203941/catalog" rel="noreferrer">Guido Adler Collection</a> Merritt Room ML134.B4 T4 1865 Date A point or period of time associated with an event in the lifecycle of the resource Thayer's book published in 1865; Adler's death in 1941; acquired in 2015 Relation A related resource <a href="https://www.thecrimson.com/article/2017/9/25/music-department-celebration/">Guido Adler's Library (2017 Music Library Exhibition)</a> <a href="https://www.youtube.com/watch?v=1E_artcc_x0">"Beethoven: 23 Songs of Various Nationalities, WoO 158a - 13. Vo lesocke komarockov mnogo urodilos',"performed by soprano Janice Watson (YouTube)</a> Language A language of the resource German Subject The topic of the resource Musicology Thematic catalogs Music libraries Creator An entity primarily responsible for making the resource Adler, Guido, 1855-1941 Thayer, Alexander Wheelock, 1817-1897 Publisher An entity responsible for making the resource available Ferdinand Schneider (Berlin) Format The file format, physical medium, or dimensions of the resource Annotated published book IIIF Item Metadata UUID 50d34cb9-e8c5-47a5-a0c3-35b0db1684b7 19th century classical scholarship